..................................
Next Events
..................................

w/b 29th April 2013
..................................
MPA/MMF
Music Publishing in Audio Visual Media
6.30pm-9.30pm @
PRS for Music, 29-33 Berners Street, London, W1T 3AB
Mon 29th April 2013

MPA/MMF
Music Publishing & The Record Business; Grand Rights & Live Performance
6.30pm-9.30pm @
PRS for Music, 29-33 Berners Street, London, W1T 3AB
Mon 20th May 2013

.MPA/MMF
International Collecting Societies & Global Royalty Streams
6.30pm-9.30pm @
PRS for Music, 29-33 Berners Street, London, W1T 3AB
Mon 17th June 2013
..................................

..................................

..................................

 

PROGRAMME STRUCTURE & CONTENT SUMMARY

 

Module 1: Monday 4th February 2013

Music Publishing & Rights Management Today: Update & Analysis

  • The changing role of the music publisher: key issues and implications  
  • Music publishing in context: the music & media industries; eco-systems, databases & business models; interdependency, challenges & opportunities
  • Classical, pop, independent & major publisher comparisons and differentials: business opportunities, practice, roles, functions and relationships  
  • Music publishing value chains & revenue streams: practical analysis from music creation to music use & consumption
  • Practical realities of rights licensing & collective management in the digital environment: from samples & mash ups to multiple media, rights & territories licensing
  • Rights ownership, duration, infringements & exceptions


Module 2: Monday 4th March 2013

Writer & Composer / Publisher Relationships; Agreements & Contracts

  • Investment & return; budgeting & cash flow; rights acquisition, signings, advances & recordings
  • Services, process & procedure
  • Relationship management: from negotiation to termination / development to international success
  • Exclusive songwriter, option, catalogue, admin agreements; single piece/song assignments; development deals: key terms & conditions; implications and negotiation positions
  • Classical, media & popular music publishing agreements: differentials & comparisons
  • Roles & rewards: rights ownership & income participation - creators, publishers, performers, A/V production companies & studio producers

 

Module 3: Monday 8th April 2013

Sub-Publishing, Co-Publishing, & Publisher Relationships / International Royalty Tracking

  • Sub-publisher roles, licensing & practical relationship management
  • Print, classical, media and popular music sub-publishing: differentials & comparisons
  • Sub-publishing, co-publishing and catalogue agreements
  • Key terms & conditions; implications and negotiation positions
  • Royalty tracking & auditing: traditional & digital revenue streams
  • Cash flow: deductions, royalty collection, taxation & distribution
  • Direct membership of overseas collecting societies


 

Module 4: Monday 29th April 2013

Music Publishing in Audio-Visual Media

  • Overview of music publishing and audio-visual media in the UK: film, television, games, corporate productions & programming, advertising & the web
  • Synch licensing & brand partnerships
  • User generated content
  • Music supervision & licensing agents
  • Options for Producers: including commissioned, commercial, library / production and public domain music – benefits and opportunities
  • Blanket licensing & agreements
  • Assignment of rights & income participation in music publishing revenue streams: options, issues, practice and precedent
  • Process and procedure: commissions; production music  & synch licensing; negotiation, decision-making and documentation
  • Roles, responsibilities and time scales
  • Key terms & conditions in media licensing agreements

 

Module 5: Monday 20th May 2013

Music Publishing & The Record Business / Grand Rights & Live Performance

  • Creator / Artist and Record Company / Music Publisher relationships & dynamics
  • A&R, Marketing, Royalty Accounting, Business Affairs, Media Licensing and International: roles, challenges, interdependency and activities
  • Song plugging & cover recordings
  • Structuring Agreements: career & cash flow implications for creator / performers
  • Audio product licensing & mechanical royalties: rates, negotiations, global issues & differentials
  • Licensing Live Music: classical & popular music; worldwide rates & differentials; issues & opportunities
  • Grand rights licensing & producer relationships
  • Professional responsibilities, roles & functions; process & procedure

 

Module 6: Monday 17th June 2013

International Collecting Societies & Global Royalty Streams

  • Roles & relationships: working with Collecting Societies in key UK catalogue territories
  • International relations: Society politics, co-operation & joint initiatives
  • Registrations, notifications, rights ownership & licensing, royalty streams, deductions, distribution & operations: policies & procedure; comparisons and differentials
  • Issues, challenges & opportunities
  • Europe & North America
  • The past, present & future of collective rights management
..................................
Join our mailing list
You can sign up for details of any master classes to be sent to you via email. Just complete the fields below, select which sector you are interested in and click 'Send'
..................................

First Name:
Surname:
Email Address:

Programmes:-
London

..................................



   
© Stuart Worthington 2013 all rights reserved